The iridescent icing on the weekend’s lysergic layer cake: a bust-out cover of famed Grateful Dead improv vehicle “Dark Star”—in decidedly Sound Tribe style.
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With a festival industry reeling on the heels of numerous cancellations, then not one but two massive hurricanes storming the southeastern U.S. inside of one month, Suwannee Hulaween was fortunate to survive these economic and environmental conditions to once again thrive in 2024.
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Three decades deep into a prolific journey in professional sound art, Portland, Oregon’s Asher Fulero confidently traverses new musical topography on Worlds, his latest LP on Full Arrow Records.
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A gift for the culture Pretty Lights helped create, geared specifically toward the dedicated minions waiting quasi-patiently for his first collection of original studio music in roughly a decade.
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U.K. live hip-hop phenoms OMA are currently barnstorming through America, unleashing a torrent of blazing instrumental re-imaginations of iconic rap anthems from coast to coast.
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After several years away from the game, Greyboy blasted back into the zeitgeist with his seventh full-length solo LP Word on the Street in June 2024.
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A trifecta of vibrant, exploratory numbers, Concrete Lullaby represents the subtle ebb and flow between heavier and lighter musical movements and energies.
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The star of the show here is clearly Talia Keys, who delivers vibrant updates to certified classics dreamt in her own image.
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Across the road from famed Bill Graham Civic Auditorium and in the shadows of City Hall, these two mavericks hatched and executed a master plan to turn the once-zombified Civic Center Plaza into a delightfully-debauched dance party.
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For 20 years since the turn of the millennium, I’ve been fortunate to immerse myself in the most historic—and vibrant—musical mecca in the country, an amateur musicologist embedded in her bountiful bosom.
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