New Orleans Jazz and Heritage Festival is an incomparable celebration that bridges the months of April and May with a joyous jamboree. Its associated “After Dark” calendar once again quenched the cultural thirst of the thousands who flocked to New Orleans this spring.
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Hosted by the majestic Spirit of The Suwannee Music Park, the 2012 edition of the Bear Creek Music Festival unveiled a streamlined, svelte, and sinister menu of astonishing artists spanning several generations. The brainchild of Lyle Williams and Paul Levine, Bear Creek remained firmly seated on its throne, the pre-eminent music/camping festival of the modern era.
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Despite the frigid temperatures, this city was as hot as ever, with deafening chants of “Who Dat?” reverberating night and day, bouncing off walls of venues, up and down parade routes, at dinner tables and tailgates.
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1. How, when, where and under what circumstances did you start DJ’ing? I started DJ’ing in 1989 when I sold
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Touring in support of his new record Uberjam, Scofield is attempting to navigate dark and semi-uncharted waters with his youthful three amigos, wading into the rumbling waves with dissonant breakbeat, and displaying maneuvers first taught at the Krautrock School of the 808 beat machines. Touring with second guitarist/resident heartthrob Avi Bortnick, bass player/dub roller Jesse Murphy, and the straight up all-world Adam Deitch on riddims, Sco has lined up a crew of young bucks to set out for new territory to claim.
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